Two very different narrators voice the novella Dancing with Rachel. Voices torment the first narrator, David an ex-football player just trying to make a life for himself. He calls his auditory hallucinations “The Chorus.” They have names and even personalities. While naïve staff members claim the voices aren’t real, David knows otherwise. He can hear The Chorus clearly. He can point to where they are coming from. How could they not be real?
Taylor, the other narrator and David’s therapist, struggles to stay sober and fight off depression while his wife lies in a coma. He bounces between his job at St. Joe’s, a psychiatric hospital, and the adjoining Lazard Memorial Hospital’s Extended Care Unit. Taylor spends much of his time traveling the cold, antiseptic tunnel between the two hospitals, always seeing the light at the end, but knowing he’s far underground.
Their lives intersect on an inpatient psychiatric unit run by Dr. Rainey, the medical equivalent of an absentee landlord. While at the State Hospital, David meets a patient who knew Doc Rainey when he was an intern struggling with his own boundary issues.
‘Regulars’ on this unit include Tom, a rapist and master manipulator, whose benign appearance hides true evil. (David describes him a cross between Fred Rogers and a serial killer.)
A patient named Simon wants nothing more than to find peace with God. His size and religious fervor make him the perfect cat’s paw for Tom. This scares David’s ex-girlfriend and fellow patient Monica, as well as their friend Kai. The one patient not afraid of Tom or Simon is Marc, an entrepreneurial genius suffering from bipolar disorder.
As Taylor worries about David, Taylor’s friends worry about him. They watch his spirits and his weight drop as he wrestles with his own demons. An insurance company balking at the cost of a new respirator for his wife doesn’t help.
Life outside the hospital can be chaotic, especially within Kai’s family. His father, a born middle manager nicknamed BiMM, declares bankruptcy, accuses his mother of killing his father, and refuses to believe his wife had an affair. Kai has no doubt his grandmother tampered with the garage door lock, trapping Kai’s grandfather inside. He’s not at all upset when they find the old racist asphyxiated, but he wonders if he’s the only sane person in his family.
About the author, Ken Montrose:
I did a lot of personal research into the life of an alcoholic. The last time I had a drink I made an illegal left turn at 3:00 a.m., hitting a county sheriff. I was $35K in debt. I had just gotten kicked out of my Ph.D. program. My divorce was a month from being final. I lived in an apartment with no furniture. My cat was blind.
When Even the Voices are Hungover
I learned about mental illness by spending ten years helping people with schizophrenia overcome addiction. We’d talk about why partying with the voices was a bad idea, or the importance of not mixing Prolixin with crack. I was humbled by folks who stayed sober despite delusions, paranoia, hospitalizations, and horrible medication side effects.
I started writing when I was in my early thirties. I wrote Dancing With Rachel in 1995, got a literary agent, and became an expert on rejection letters. Greenbriar Treatment Center asked me to write the workbooks we gave to patients. We began selling them online and at conferences, where they were very well received.
I have a wife and two children. They amaze me everyday. I work at a rehab. The people there amaze me as well. Much of what I write is inspired by their struggles. I am working on AArdvarks another daily meditation book for recovering addicts, a series of short stories, and a novella about the clash between a shadow government, the real government, and people forced to take sides.